A Place to Stand
lisa401971:

Stephanie Seymour by Richard Avedon, 1992

lisa401971:

Stephanie Seymour by Richard Avedon, 1992

light-in-thedarkness:

Kylie. | via Tumblr sur We Heart It.

light-in-thedarkness:

Kylie. | via Tumblr sur We Heart It.

32theothersideofme32:

LIGHTS
myrealnameisraven:

After The Darkby AnnaArmona

cross-connect:

The Godlike Mythological and Geometric Paintings of Miriam Escofet

My ‘arrival’ at painting has been a slightly unusual one, in the sense that I purposely set out to study a skills based 3D Design course, where I specialized in ceramics. My rationale for this being that I have always loved the ‘making process’ and I am very interested in the three dimensional and textural quality of objects and spaces. I worked in clay for some years after leaving Art College, whilst starting to get commissions for paintings (mainly watercolours at the time). The painting evolved from this  and eventually took up all my time. Drawing and making are still at the core of the work, but painting allows me to invent other spaces and ideas with no physical constraints.

Thanks to Hi-Fructose Magazine for the find

dreamerliveson:

✋
unsatisfiedjudge:

your words no longer mean anything to me

unsatisfiedjudge:

your words no longer mean anything to me

As human beings, our greatness lies not so much in being able to remake the world - that is the myth of the atomic age - as in being able to remake ourselves.
Mahatma Gandhi (via purplebuddhaproject)
You alone are enough. You have nothing to prove to anybody.
Maya Angelou  (via basicbook)